Publications

Magazine & Journals

 

“Lure” in Bear Review, Fall 2020

“In the Forest,” “The Water, The Truth, The Water,” & “Grounded” at Terrain.org, February 16, 2020

“Eulogy Ending in Red” in Talking Writing, September 30, 2019

“We Could Go Alone as Long as We Were Home Before Dark” & “It Was Halloween or a Summer Day” in District Lit, August 14, 2019

“No Books Would Tell Us Our Stories” in Zocalo Public Square, June 21, 2019

“Wilderness” in Human/Kind, March 2019

“A Short Narrative of an Extraordinary Delivery of Rabbits,” “Possum Sapphic,” & “Possum Women” in Menacing Hedge, Winter 2019

“The Wind in the Corner” in THRUSH, September 2018

“Los Surrealistas” in Redactions, Spring 2017 (PushcardtNomination)

“The Abstraction of Women Artists” in Midway Journal, January 2017

"The Answer is No" in The Ekphrastic Review: Writing and Art on Art and WritingSeptember 2016

“1955” in Crab Creek Review, May 2016

“How to Paint a Self-Portrait” in Rogue Agent, July 2015

"This Country, Dimming" at Harpoon Review, January 2015

“Suspension” in Muzzle, Spring/Summer 2014

“The City in the Distance” in THRUSH, November 2013

"Looking Up" & "Aperture" in The Feminist Wire, September 2013

"The Forgiveness Party" in First Stop Fiction, Fall 2011

“Tattoo Museum” in Hermeneutic Chaos

Anthologies

“Wolf-Girl” in Best New Poets 2018.

“First Manifesto of Surrealism: An Erasure” in Erase the Patriarchy, University of Hell Press, 2020

Desire is a Vicious Hangover” & “Desire is a Woman Selling a Basket of Fruit” in Fairy Tales and Folklore Re-Imagined, Between the Lines Publishing, 2018

“Two Girls on Fire,” Iron Horse Literary Review Photo Finish Anthology, January 2018

“Looking Up” (reprint) in Nasty Women: An Anthology, Lost Horse Press, 2017

“Eve at the Lilith Fair” in Come As You Are Anthology, ELJ Publications (2017)